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Search resuls for: "Peter Falk"


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While filming the new crime show “Elsbeth” in an Upper West Side apartment in January, Carrie Preston, playing the title character, tentatively patted the guest star Peter Grosz on the arm. The combination of the gesture and Elsbeth’s hesitant expression made the attempt at comfort come across as simultaneously awkward and funny — and unmistakably true to the consistently awkward, funny Elsbeth. Robert King, who created the series with his wife, Michelle, and was directing that particular episode, chuckled in delight as he watched on a monitor. “That was probably not in the script.”Premiering Thursday on CBS, “Elsbeth” is a new project but Elsbeth herself is not. One reason Preston inhabits her fully enough to improvise such small, telling gestures is because she has been playing her for almost 14 years.
Persons: Carrie Preston, Peter Grosz, Robert King, Michelle, Jonathan Tolins, , , Elsbeth, Preston, Elsbeth Tascioni, Columbo, Peter Falk Organizations: CBS Locations: Upper
Here’s a roundup of the month’s most noteworthy movies and TV shows, as covered by The Wall Street Journal’s critics. After the remake of “Murder on the Orient Express” revived the murder mystery in 2017, two years later “Knives Out” revived the subgenre of the comic whodunit best exemplified by such ’70s Peter Falk movies as “The Cheap Detective” and “Murder by Death.” When it comes to comedy, Daniel Craig is no Peter Falk, and in the second “Knives Out” movie, the biggest mystery remains, “Why is Daniel Craig’s Southern accent so terrible?” I half-expected the explanation to be that Mr. Craig’s detective Benoit Blanc is actually a suave English spy in disguise. Still, the nattily attired Blanc is not only a detective dandy, he’s a dandy detective, and “Glass Onion: A Knives Out Mystery” is breezy holiday entertainment.
Still, the nattily attired Blanc is not only a detective dandy, he’s a dandy detective, and “Glass Onion: A Knives Out Mystery” is breezy holiday entertainment. All of them accept the offer to be guests at the lavish Greek island property of a jovial billionaire, Miles Bron ( Edward Norton ). We learn that he used to hang out with all of them at a tavern called the Glass Onion before he launched the tech business that made his fortune. Now he’s doing well enough to have built himself an enormous mansion topped by a palatial structure shaped like a glass onion. He boasts to his old friends that, unknown to his insurers, he has installed an override button that removes the protective glass housing around the masterpiece.
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